Endgame for Assange

Angela Richter is a theatre director and met Julian Assange in 2011 when she worked on a play about Wikileaks

This text is the English version of the German article “Endspiel für Assange” published in German weekly der Freitag (Issue 01/19)

Sidelined The theatre director Angela Richter visited WikiLeaks founder Julian Assange in Ecuador’s embassy in London. For the last time, she fears

Angela Richter

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A photo was not possible in the embassy under the current circumstances. This one was taken during Angela Richter’s visit in 2014. Foto: Elfie Semotan

Julian Assange looks very pale. “Pale” isn’t quite accurate; his skin looks like parchment, almost translucent. He hasn’t seen the sun for almost seven years. He sits opposite to me in the so-called Meeting Room of the Ecuadorian Embassy in London, the snow-white hair, his trademark, is shoulder-length and he wears a long beard. We joke about him looking like Santa. He wears a thick down jacket and eats a piece of the sushi I brought for lunch. It is cold in the room and I regret that I left my winter coat at the reception.

It is just before Christmas, and Julian Assange has probably just had the worst time of his stay at the embassy. Since March 2018 he was de facto in isolation, no telephone, no internet and no visits. The internet ban must be particularly difficult for him; it was not only his field of work, but his only access to the world.

The mood in the embassy is tense; the new ambassador is due to arrive. They have turned off the heating and taken the bed, he sleeps on a yoga mat. I cannot help the impression that everything possible is being done to make his stay so difficult that he finally gives in and leaves the embassy voluntarily. But what will await him then?

It’s the first time since I’ve known him that he really looks drained, his former boyish face, which always seemed peculiar to the silver-white hair, has adapted to his age. The nine months of isolation have visibly weakened him, he has become leaner, but in our conversation he seems mentally strong and more determined than ever.

Surrounded by microphones

When I ask him how he had endured the isolation for so long, he replies that he was almost delighted at first. He was sure that such a flagrant violation of his human rights would cause great public outrage and European politicians would stand up for him because of pressure from the media. Nothing of the sort happened, however, and as the months passed, he lost faith.

In the meantime, it has even become public that the US authorities had filed criminal charges against Julian Assange. Charges that were supposed to remain under lock and key until Assange could no longer escape arrest. They confirm what Assange has feared for years and why he has often been declared paranoid in the press. But even after this revelation there is no indignation.

WikiLeaks

Since 2007, the disclosure platform has made it possible to publish documents anonymously. In 2010, it launched a video entitled Collateral Murder, which shows how civilians and journalists were killed in the attack by a US combat helicopter in Baghdad. In 2011, Wikileaks published 7,000 military documents on the incidents in Guantánamo. The platform attracted criticism when it published thousands of emails from the Democratic Party in the 2016 US election campaign. At the end of 2010 Sweden issued an international arrest warrant against Assange for “minor rape”. To avoid extradition, he fled to the Ecuadorian embassy in London in 2012. He fears that he will be tried for treason in the USA. Sweden closed the investigation in May 2017. In the USA, he allegedly has been charged.

His stay in the embassy, granted as political asylum in 2012, now resembles more and more a detention with rigid punishments. The isolation has still not been completely lifted, from Friday evening until Monday morning there is still a ban on contact, and anyone who wants to visit him has to submit a formal application to the embassy. There were probably also rejections, he tells me. I was lucky and got two of the requested four hours approved.

I have visited Julian Assange about 30 times between 2012 and 2017 at the Ecuadorian Embassy. This resulted in three theatre plays and a friendship with one of the most controversial people of our time. It was not always easy to defend him, especially since the election of Donald Trump as President of the USA, for which many journalists, former supporters and friends of mine have made him jointly responsible. Moreover, most journalists seem to have agreed that there is a mad conspiracy between Trump and Putin, with Assange as intermediary and helper. At the end of November, the Guardian claimed that Paul Manafort, head of Donald Trump’s presidential campaign, had met Assange three times in London: in 2013, 2015 and 2016. Fidel Narváez, the then Ecuadorian consul in London, has formally denied this. WikiLeaks initiated legal proceedings against the Guardian and Manafort publicly and denied the meetings. His name does not appear in the Ecuadorian Embassy’s guest book and there are no images of him entering or leaving one of the world’s best-monitored buildings.

Assange, of course, followed all this; when I ask him about it, he only says that the story in the Guardian is fictitious. As he enquires about my family and we eat sushi, we try to ignore that we are surrounded by cameras and microphones. Even in the small kitchen in the hallway there is now a camera installed, which used to be the only corner without surveillance where we sometimes withdrew. Recently, embassy staff has been changed one by one, the new staff doesn’t know Assange well, only the cleaning lady is the same. The diplomats who sympathised with him are no longer there.

As a distraction I unpack a few presents for him, German wholemeal bread he loves, fresh fruit, Ovaltine, a letter with a child’s drawing sent to him by my eldest son, and a Ukrainian sausage speciality from the Crimea that a friend and former dramaturg of Frank Castorf gave me. I try again to direct the conversation towards him and his precarious situation, but that proves difficult. I hardly know anyone who says “I” as reluctantly as Julian Assange, which is amazing considering how often he is described as a narcissist and an egomaniac.

Blueprint for all of us

It is difficult to describe the complex character of Assange. But one thing has become clear to me in recent years; it is simply not conveyable to the average intellectual. He is a meticulous archivist, a courageous revelator and uncompromising iconoclast, highly emotional and at the same time factual, alongside whom most of the artists and intellectuals I know seem like petty bourgeois who sell their personal neuroses profitably.

But if Assange is not the nefarious unsympath who is to blame for his own situation through his egomania, what does that mean in reverse? Isn’t he then a blueprint for all of us? What has happened to him for years in the middle of Europe shows what could happen to anyone who dares to raise his voice and reveal the truth about the powerful. Not in Russia or China, but in the free West.

Assange never gave up his credo “Let’s make trouble”. He tells me he hoped during the isolation that he could take a little “holiday from WikiLeaks”. But then everything fell asleep somehow; no one was keen to take the helm, which is not surprising when you see the consequences. He says he thinks his isolation was a test run for what would happen if he went to prison after all: WikiLeaks would probably disintegrate slowly.

I think he’s right. Since I have known Assange, I have realised that his organisation only exists because of his immense persistence. He often cheered me up with the sentence “Courage is contagious”. I can confirm this for myself; he has this effect that you feel encouraged to risk more. His insistence on the truth of documented facts has not brought him fame and glory; to the contrary. And yet he has never given up, I have experienced some ups and downs in recent years, I have talked with him and his team in the embassy for hours, sometimes nights, but also argued, laughed, eaten, drunk, sung and trembled.

Three ambassadors were replaced during this time, the fourth one just arrived in London on the day of my visit, and his main task will probably be to get rid of Assange as quickly as possible, with the least possible political damage to Ecuador’s image. The New York Times recently reported that there had been several talks in 2017 between Ecuadorian President Lenín Moreno and the now notorious Paul Manafort. Manafort had travelled to Quito to boost China’s investment in Ecuador. Allegedly, at the meeting with Moreno, there was also talk about Assange, about a deal to extradite Assange to the US in exchange for Ecuador’s debt relief. Assange jokes; wouldn’t it be ironic that the IMF, the International Monetary Fund, of all people, is now deciding on his future fate. He laughs, tormented, in the end the big money always wins. We notice that his persecution by the USA is no longer a secret, everything is open and nothing happens; It is exasperating.

In the end, it is actually four hours that I am there. When I say goodbye, we hug each other tightly, it might be the last time we see each other. Outside I also talk to some supporters who camp in front of the embassy with self-painted banners and lighted candles, they have been holding out for years, which I think is admirable.

On December 21, three days after my visit to the embassy, WikiLeaks publishes a shopping list: 16,000 procurement orders from US embassies around the world, including spy equipment. Julian Assange is online again. On the same day, the UN human rights experts of the Working Group on Arbitrary Detention (WGAD) reiterate their 2015 demand that Britain complies with its international obligations and immediately releases the founder of WikiLeaks from the Ecuadorian embassy into freedom. This could be done by guaranteeing him free passage, or at least guarantee that he will not be extradited to the US, after short detention in Britain.

So Assange’s fate is in the hands of the United Kingdom; the UK could easily end this blatant situation, but so far it has refused. Europe is silent about it. What else needs to happen for that to change?

 

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life’s morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life’s joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art’s nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship”

Robert Green Ingersoll

courtesy of the Centre of Applied Jungian Studies

A Camera Is A Tool For Seeing Without A Camera

The post title is a quote attributed to probably the most notable photographer during the Great Depression.  Her name was Dorthea Lange.  Whether Dorthea herself uttered that wisdom has yet to be proven but I can attest that after 30 years of snapping photos [mostly nature, weather and music performances] that this quote has lived up to its claim.  I spent quite a good deal of time behind a camera — until I saw something happening to the landscape of this country that made me put it down in exchange for a pen.  My photos weren’t loud enough for what I needed to say.
Migrant Mother’ – Dorthea Lange, 1936
‘Migrant Mother’ was Lange’s most famous image — an iconic photo in American history. Lange was concluding a month’s trip photographing migratory farm labor around the state of California for what was then the Resettlement Administration.  There are no known restrictions on the use of Lange’s “Migrant Mother” series of images. A rights statement from the Farm Security Administration/Office of War Information with the black-and-white negatives is available online to this day.  
 
According to Wiki: The Resettlement Administration (RA) was a New Deal U.S. federal agency that, between April 1935 and December 1936, relocated struggling urban and rural families to communities planned by the federal government.  The organization had four divisions: Rural Rehabilitation, Rural Resettlement, Land Utilization, and Suburban Resettlement.
 
The goal of moving 650,000 people from 100,000,000 acres of agriculturally exhausted, worn-out land was unpopular among the majority in Congress. This goal threatened to deprive influential farm owners of their tenant workforce. The RA was thus left with enough resources to relocate only a few thousand people from 9,000,000 acres and build several greenbelt cities, which planners admired as models for a cooperative future that never arrived.
 
…a cooperative future that never arrived.
 
Seems the one that was admired then is coming up on its own as a matter of necessity. Economic hardship, which on the surface does not appear to be anywhere near as bad as Dorthea’s photo suggests — but then, the government isn’t going to hire a photographer to go out and take those photos.  Now that press is owned by ‘influential owners’ who would be ‘deprived’ of their advertising dollars. They don’t want us to see those images but we see them without cameras.  In our neighborhoods, cities and streets.  Same as war images that are no longer shown or are photoshopped into so much propaganda, or the mainstream ‘wag the dog’ embedded reporting.  
 
Media has changed since 1936 and has had some glorious moments of integrity.  The time of courageous reporting from Edward R. Murrow is past and we have revisited (and somehow stooped lower) than McCarthyism.  There are few dissenting voices of reason on the idiot box.  That is something else that is coming up on its own as a matter of necessity — with internet freedoms — how long that will last is a matter of opinion and speculation.  Eventually, all opinion and speculation will mean nothing without electricity.  
 
Something that hasn’t changed since 1936 — agriculturally exhausted, worn-out land.  Now we have a population that has more than tripled because of cheap oil.  Add global warming to the mix, failing infrastructure and resource depletion and we’re staring down the barrel of an even larger humanitarian crisis in the United States. And what is popular with Congress?  Monsanto. 
 
The best thing for it IS a cooperative future.  Permaculture heals the land and so does community working together.  That cooperative future is arriving whether the government points a camera at it or not.
 
No electricity isn’t so scary for some photographers . . . natural light is best anyway.
Moonrise , Hernandez , NM – 1941 / Ansel Adams

Finding Our Tribe

“This is the hardest time to live, but it is also the greatest honor to be alive now, and to be allowed to see this time.  There is no other time like now.  We should be thankful, for creation did not make weak spirits to live during this time.  The old ones say ‘this is the time when the strongest spirits will live through and those who are empty shells, those who have lost the connection will not survive.’   We have become masters of survival — we will survive — it is our prophecy to do so.”

“Humanity must shift from living “on” the earth, to living with her.” — Tiokasin Ghosthorse

Tiokasin Ghosthorse is from the Cheyenne River Lakota (Sioux) Nation of South Dakota.  He holds a Masters Degree in Native American studies and Communications.  He is a storyteller, poet, university lecturer, scholar, essayist, cultural interpreter, and a peace and human rights activist.  Tiokasin has been described as “a spiritual agitator, natural rights organizer, Indigenous thinking process educator and a community activator.”  One reviewer called him “a cultural resonator in the key of life.”